Think Storytelling Engagement Photos Is Just Code For ‘Fancy Photoshoot’? Think Again.
The phrase ‘storytelling engagement photos’ has a serious PR problem.
The second I say it, I can practically hear the internal monologue: Is this about to be a five-hour production? Do I need twelve outfits? Am I required to look windswept on command?
I regret to inform you: that is not the vibe. And you don’t have to downgrade your engagement photos out of fear that your session is about to feel like a Vogue audition, either.
As a Minneapolis engagement photographer who thrives on (eats! sleeps! breathes!) storytelling, nothing about my work is a matter of making things more elaborate. It all comes down to the lived-in-ness of it— making it more specific, more intentional, and more you.
Storytelling sessions have nothing to do with production value and everything to do with personal value.
If that still sounds suspiciously vague, let’s scroll.
ABIGAIL & JARED
The National Gallery in DC (Because History Is Their Love Language)

Abigail and Jared wanted marble floors, oil paintings, and architectural drama. I did not have to be asked twice.
They flew my giddy, cinematic storyteller self to Washington D.C. to take their engagement photos in the National Gallery of Art. (Still not over it.)
And here’s the thing: Abigail and Jared didn’t get a Boeing 747 involved because they thought it would look impressive. We were there because it mattered. It feels intentional because it was.
Get a load of this— they literally planned their entire wedding aesthetic around the painting in the picture below. That piece of art is stitched into their story. Of course it deserved its own cameo.


We wandered through columns and archways and a whole lot of historic grandeur while I (mostly) stayed out of the way and tried to remember that visibly fangirling isn’t a good look.
No directives to “tilt your chin 3%.” No ten-minute art-appreciation tutorial. Just the two of them existing in a space that held a whole lot of meaning.
It was elevated, specific and very them. The photos feel intentional because the location was.
Takeaway: Pick one tangible thing that already holds meaning — a painting, a building, a song, a corner booth that might as well have your name on it— and shape the session around that. Specific beats impressive every single time.








EMMA & RYAN
Recreating Their First Date (Because Nostalgia Is a Personality Trait)


All Emma and Ryan needed to tell their story properly was Blackstack Brewery, a craft beer, and the audacity to play cribbage on camera. Truly. That’s it.
We went back to the scene of the crime— same table, same drinks, same low-key competitive tension. It wasn’t some curated “let’s recreate your first date for aesthetic purposes” situation. It was just… their thing.
They actually play cribbage. They actually banter with each other. They actually side eye like that when someone makes a bold move.
They know how to be together, and I know how to not ruin it.
When you start somewhere that already feels lived-in, the photos immediately feel remembered.
Takeaway: Start your session somewhere that holds your history — the coffee shop where you met, the farmers’ market where you pick up your weekly sourdough every Saturday, your own kitchen where you spend Sunday mornings making pancakes. Then let it naturally unfold from there.









AMIRA & JAKE
Spicing Up the “Classic Field Session” (Because the Meadow Can Be Magic)



I have absolutely said, out loud, with gusto, that I don’t want to live exclusively in tall grass.
Not because I hate a meadow. I love a meadow. The light? Stunning. The drama? Free. But if we’re doing your engagement photos in a field, you better believe we’re doing it with a reason.
Jake and Amira didn’t want ‘field because Pinterest’. They wanted that golden, open-air, end-of-summer, Italian-villa-meets-Minnesota-meadow energy. And then Jake casually mentions he has a moped.
Excuse me?
So now instead of two people strolling aimlessly through golden hour, we’ve got Amira perched sideways on a moped like she’s in a much classier Lizzie McGuire Movie and Jake pretending he isn’t fully aware of how cinematic he looks, watching her as if she put the sun in the sky herself.
We still got the wind-in-the-dress moments. We still got the walking-through-grass silhouettes. But now there was narrative and movement and something to interact with besides a lifetime supply of chlorophyll.
The field became interesting because we gave it context.
Takeaway: If you want a classic field session, love that for us. Just don’t stop at “classic.” Bring a prop — the moped, your grandpa’s rusted-out Ford F150, a picnic blanket you actually use, a guitar you play badly— so the story has something to shape itself around.







DELANEY & MARK
Letting the Chaos Live (Because Banter Is What They Do Best)


I’m pretty sure my only job during this storytelling session was to keep up.
Delaney and Mark showed up already mid-laugh. Within minutes of my camera being out of the bag, Delaney’s leaning on a lamp post sticking her tongue out at him like she’s ten and he’s her sworn rival. Mark looks at her like he’s both unsurprised and may or may not have just fallen even more in love with her.
I couldn’t have prompted that if I tried. (And I wouldn’t dare try.)
If I had tried to smooth any part of their engagement photos into “soft romance,” we would’ve lost the entire plot of what makes them them. Their connection operates on sarcasm and play, so that’s exactly what we documented.
Takeaway: If your relationship thrives on low-grade chaos, don’t edit it down for the camera. Your engagement photos should feel like your inside jokes just happened to get documented.








ASHLEY & AIDEN
No Pants and Wooden Swings (Because Home Is A Perfectly Valid Setting)

Ashley and Aiden’s Florida engagement session didn’t need a skyline or a wardrobe mood board, and they certainly didn’t need to “make it a thing.”
They needed about thirty square feet of (their own) backyard.
When couples hear “storytelling engagement photos,” they assume we’re about to manufacture something cinematic.
But sometimes the most cinematic thing you can do is refuse to manufacture anything at all.
Those swings are about as ordinary as it gets— a couple of wood planks fixed to ropes hanging from a tree. But they’re familiar. And that familiarity is exactly what makes the photos go so hard.
This is what I mean when I say storytelling doesn’t require a big production. The photos look relaxed because the subjects ARE relaxed, in their own home. (Backyard energy doesn’t lie.)
If your relationship feels best in sweatpants and bare feet, that’s the move. If your favorite part of the day is the five minutes after you get home and collapse on the couch together like you’ve been apart for weeks, that’s the story.
(And if you’re curious what that same lived-in energy looks like inside the house, go peek at the physical touch post. It’s a whole thing.)
Takeaway: Choose the place where you naturally drop your shoulders. Nothing says ‘the sweetness in your story’ than your own home.






EMMA & JAKE
The Graffiti Said So (Because Even Date Night Can Be A Canon Event)


Emma and Jake are a “let’s grab a drink and see where the night goes” kind of couple. So that’s exactly what we did.
We started at Parlour Bar because that’s their natural habitat. Close quarters. Condensation on glasses. That shoulder-to-shoulder, knee-knocking kind of proximity that feels like second nature.
Just two people who genuinely like sitting next to each other. (What a concept, right?)
And then we left, not because “now we transition to Scene Two.” We left because… that’s what you do after you finish a drink.
The storytelling upgrade is never ever about stacking locations for variety. It’s about giving a night the chance to unfold like a night actually does.
One place segues into the next. You walk. You talk. You notice something written on a railing and suddenly you’re making out in front of a graffiti-scribbled bench like it was planned all along.
(It wasn’t planned. It was just… allowed.)


That’s the piece people misunderstand about storytelling engagement photos. All you need is a little room for something unscripted to sneak in and turn the scene into a saga.
Takeaway: Plan your engagement photos like you’d plan a really good date. Start somewhere intimate. End somewhere unexpected. And please, for the love of cinema, don’t micromanage what happens in between.










So Here’s The Point
You do not need to become someone more aesthetic than you already are for your storytelling engagement photos.
When people search engagement photos unique on Google, they think they’re looking for some wild, never-been-done-before concept. Most of the time, they’re just looking for photos that don’t feel interchangeable.
When they save engagement photos black and white to their Pinterest board, it’s rarely about the edit itself. It’s the feeling they’re after— the way it feels like a memory instead of a moment.
As a Minneapolis engagement photographer versed in the art of cinematic storytelling, I can absolutely give you direction. I can give you light. I can absolutely make tall grass look like a supporting character, if that’s the move.
But the best of the best engagement sessions are built around your real life as real humans. A place you already go. A habit you already have. A thing that already matters.
It’s not a production upgrade. It’s a meaning upgrade.
return to gallery


